Star Trek Beyond

Star Trek Beyond is a 2016 American science fiction action film directed by Justin Lin, written by Simon Pegg and Doug Jung, and based on the television series Star Trek created by Gene Roddenberry. It is the 13th film in the Star Trek franchise and the third installment in the reboot series, following Star Trek (2009) and Star Trek Into Darkness (2013). Chris Pine and Zachary Quinto reprise their respective roles as Captain James T. Kirk and Commander Spock, with Pegg, Karl Urban, Zoe Saldana, John Cho, and Anton Yelchin reprising their roles from the previous films. This was one of Yelchin’s last films; he died in June 2016, a month before the film’s release. Idris Elba, Sofia Boutella, Joe Taslim, and Lydia Wilson also appear.

Principal photography began in Vancouver on June 25, 2015. The film premiered in Sydney on July 7, 2016, and was released in the United States on July 22, 2016, by Paramount Pictures. The film is dedicated to the memory of Yelchin, as well as to actor Leonard Nimoy, who died during pre-production. The film grossed $343.5 million at the box office, and received positive reviews with praise for Lin’s direction, the acting, action sequences, musical score, visual effects. At the 89th Academy Awards, the film was nominated for Best Makeup and Hairstyling.

Star Trek Into Darkness

Star Trek Into Darkness is a 2013 American science fiction action film directed by J. J. Abrams and written by Roberto Orci, Alex Kurtzman, and Damon Lindelof. It is the twelfth installment in the Star Trek franchise and the sequel to the 2009 film Star Trek, as the second in a rebooted film series. It features Chris Pine reprising his role as Captain James T. Kirk, with Zachary Quinto, Simon Pegg, Karl Urban, Zoe Saldana, John Cho, Anton Yelchin, Bruce Greenwood, and Leonard Nimoy reprising their roles from the previous film. Benedict Cumberbatch, Alice Eve, and Peter Weller are also in the film’s principal cast. It was Nimoy’s last film appearance before his death in 2015. Set in the 23rd century, the film follows Kirk and the crew of USS Enterprise as they are sent to the Klingon homeworld seeking a former Starfleet member-turned-terrorist, John Harrison.

After the release of Star Trek, Abrams, Burk, Lindelof, Kurtzman, and Orci agreed to produce its sequel. Filming began in January 2012. Into Darkness’s visual effects were primarily created by Industrial Light & Magic. The film was converted to 3D during its post-production stage. It premiered at Event Cinemas in Sydney, Australia, on April 23, 2013, and was released on May 9 in Australia, New Zealand, the United Kingdom, Europe and Peru, with other countries following.

The film opened at IMAX cinemas in the U.S. and Canada on May 16, and in standard-format cinemas the next day. Into Darkness was a financial success and received positive reviews from critics. Its gross earnings of over $467 million worldwide have made it the highest-grossing entry in the Star Trek franchise. It was nominated for Best Visual Effects at the 86th Academy Awards. It was followed by Star Trek Beyond in 2016.

Star Trek (2009)

Star Trek is a 2009 American science fiction action film directed by J. J. Abrams and written by Roberto Orci and Alex Kurtzman. It is the eleventh film in the Star Trek franchise, and is also a reboot that features the main characters of the original Star Trek television series portrayed by a new cast, as the first in the rebooted film series. The film follows James T. Kirk (Chris Pine) and Spock (Zachary Quinto) aboard the USS Enterprise as they combat Nero (Eric Bana), a Romulan from their future who threatens the United Federation of Planets. The story takes place in an alternate reality because of time travel by both Nero and the original Spock (Leonard Nimoy). The alternate timeline was created in an attempt to free the film and the franchise from established continuity constraints while simultaneously preserving original story elements.

The idea for a prequel film which would follow the Star Trek characters during their time in Starfleet Academy was discussed by series creator Gene Roddenberry in 1968. The concept resurfaced in the late 1980s, when it was postulated by Harve Bennett as a possible plotline for what would become Star Trek VI: The Undiscovered Country, but it was rejected in favor of other projects by Roddenberry. Following the critical and commercial failure of Star Trek: Nemesis and the cancellation of Star Trek: Enterprise, the franchise’s executive producer Rick Berman and screenwriter Erik Jendresen wrote an unproduced film titled Star Trek: The Beginning, which would take place after Enterprise. After the separation of Viacom and CBS Corporation in 2005, former Paramount Pictures president Gail Berman convinced CBS to allow Paramount to produce a new film in the franchise. Orci and Kurtzman were soon approached to write the film, and J. J. Abrams was approached to direct it. Kurtzman and Orci used inspiration from novels and graduate school dissertations, as well as the series itself. Principal photography commenced on November 7, 2007, and ended on March 27, 2008. The film was shot in locations around California and Utah. Abrams wanted to avoid using bluescreen and greenscreen, opting to use sets and locations instead. Heavy secrecy surrounded the film’s production and was under the fake working title Corporate Headquarters. Industrial Light & Magic used digital ships for the film, as opposed to miniatures used in most of the previous films in the franchise. Production for the film concluded by the end of 2008.

Star Trek was heavily promoted in the months preceding its release; pre-release screenings for the film premiered in select cities around the world, including Austin, Texas, Sydney, Australia, and Calgary, Alberta. It was released in the United States and Canada on May 8, 2009, to critical acclaim. The film was a box office success, grossing over $385.7 million worldwide against its $150 million production budget. It was nominated for several awards, including four Academy Awards at the 82nd Academy Awards, ultimately winning Best Makeup, making it the first Star Trek film to win an Academy Award. It was followed by the sequels Star Trek Into Darkness and Star Trek Beyond in 2013 and 2016, respectively.

Star Trek Nemesis

Star Trek: Nemesis is a 2002 American science fiction film directed by Stuart Baird. It is the tenth film in the Star Trek franchise, as well as the fourth and final film to star the cast of Star Trek: The Next Generation. It was written by John Logan from a story developed by Logan, Brent Spiner, and producer Rick Berman. In the film, which is set in the 24th century, the crew of the USS Enterprise-E are forced to deal with a threat to the United Federation of Planets from a clone of Captain Picard named Shinzon, who has taken control of the Romulan Star Empire in a coup d’état.

Principal photography for the film took place from November 2001 to March 2002. Nemesis held its world premiere at Grauman’s Chinese Theatre in Los Angeles on December 9, 2002. The film was released in North America on December 13, 2002 by Paramount Pictures, and received generally mixed reviews, with publications criticizing it for being the least successful in the franchise. The film was a box office failure, earning $67 million worldwide against a $60 million budget. Plans for a final film featuring The Next Generation cast were scrapped, and the film series was rebooted instead with Star Trek in 2009, which was a box office success. The television series Star Trek: Picard, a continuation of The Next Generation and Nemesis set two decades after the latter at the end of the 24th century, premiered in 2020.

Star Trek Insurrection

Star Trek: Insurrection is a 1998 American science fiction film directed by Jonathan Frakes. It is the ninth film in the Star Trek film series, as well as the third to star the cast of Star Trek: The Next Generation, with F. Murray Abraham, Donna Murphy, and Anthony Zerbe appearing in main roles. In the film, the crew of the USS Enterprise-E rebels against Starfleet after they discover a conspiracy with a species known as the Son’a to steal the peaceful Ba’ku’s planet for its rejuvenating properties.

Paramount Pictures sought a change of pace after Star Trek: First Contact (1996). Michael Piller was asked to write the script of the next installment, which was created from story ideas by Piller and producer Rick Berman. The story’s first drafts featured the Romulans, and the Son’a and Ba’ku were introduced in its third draft. After Ira Steven Behr reviewed the script, Piller revised it and added a subplot involving a romantic interest for Jean-Luc Picard. The film’s ending was further revised after test screenings. The special effects depicting outer space were completely computer generated, a first for a Star Trek film. The Ba’ku village was fully built on location at Lake Sherwood, California, but suffered weather damage. Sets from the television series Star Trek: Voyager and Star Trek: Deep Space Nine were reused and redressed. Michael Westmore created the make-up for the new alien races, and Robert Blackman revised the Starfleet dress uniform designs. Sanja Milkovic Hayes created costumes for the Ba’ku from cellulose fibers, which were baked and glued together. Jerry Goldsmith produced the film’s score, his fourth for the franchise.

Insurrection was the highest-grossing film on its opening weekend, making $22.1 million in the United States and Canada. The film went on to gross $70.2 million in the United States and Canada, and an additional $42.4 million in other territories, for a theatrical run of $117.8 million worldwide. Critical responses to the film were mixed; the performance of Patrick Stewart and the directing of Jonathan Frakes were praised, while other critics compared it to an extended episode of the television series. Insurrection was nominated for both a Saturn Award and a Hugo Award, but the only award it received was a Youth in Film Award for Michael Welch. It was followed by Star Trek: Nemesis in 2002.

Star Trek First Contact

Star Trek: First Contact is a 1996 American science fiction film directed by Jonathan Frakes (in his motion picture directorial debut) and based on the franchise Star Trek. It is the eighth film in the Star Trek film series, the second to star the cast of Star Trek: The Next Generation. In the film, the crew of the USS Enterprise-E travel back in time from the 24th century to the mid-21st century to stop the cybernetic Borg from conquering Earth by changing their past.

After the release of Star Trek Generations in 1994, Paramount Pictures tasked writers Brannon Braga and Ronald D. Moore with developing the next film in the series. Braga and Moore wanted to feature the Borg in the plot, while producer Rick Berman wanted a story involving time travel. The writers combined the two ideas; they initially set the film during the European Renaissance, but changed the time period that the Borg corrupted to the mid-21st century, after fearing the Renaissance idea would be “too kitsch”. After two better-known directors turned down the job, cast member Jonathan Frakes was chosen to direct to make sure the task fell to someone who understood Star Trek.

The film’s script required the creation of new starship designs, including a new USS Enterprise. Production designer Herman Zimmerman and illustrator John Eaves collaborated to make a sleeker ship than its predecessor. Principal photography began with weeks of location shooting in Arizona and California, before production moved to new sets for the ship-based scenes. The Borg were redesigned to appear as though they were converted into machine beings from the inside-out; the new makeup sessions took four times as long as their appearances on the television series. Effects company Industrial Light & Magic rushed to complete the film’s special effects in less than five months. Traditional optical effects techniques were supplemented with computer-generated imagery. Jerry Goldsmith produced the film’s score.

Star Trek: First Contact was released on November 22, 1996, and was the highest-grossing film on its opening weekend. It eventually made $92 million in the United States and Canada with an additional $54 million in other territories, combining to a worldwide total of $146 million. Critical reception was mostly positive; critics including Roger Ebert considered it to be one of the best Star Trek films, and it was the most positively reviewed film in the franchise (93% of reviews were positive) until being marginally surpassed (94%) by the 2009 reboot film. The Borg and the special effects were lauded, while characterization was less evenly received. Scholarly analysis of the film has focused on Captain Jean-Luc Picard’s parallels to Herman Melville’s Ahab and the nature of the Borg. First Contact was nominated for the Academy Award for Best Makeup and won three Saturn Awards. It was followed by Star Trek: Insurrection in 1998.

Star Trek Generations

Star Trek Generations is a 1994 American science fiction film and the seventh film in the Star Trek film series. Malcolm McDowell joins cast members from the 1960s television show Star Trek and the 1987 sequel series The Next Generation, including William Shatner and Patrick Stewart. In the film, Captain Jean-Luc Picard of the USS Enterprise-D joins forces with Captain James T. Kirk to stop the villain Tolian Soran from destroying a planetary system in his attempt to return to an extra-dimensional realm known as the Nexus.

Generations was conceived as a handoff from the original cast of the Star Trek films to the cast of The Next Generation. After developing several film ideas concurrently, the producers chose a script written by Ronald D. Moore and Brannon Braga. Production began while the final season of the television series was being made. The director was David Carson, who previously directed episodes of the television series; photography was by franchise newcomer John A. Alonzo. Filming took place on the Paramount Studios lots, and on location in Valley of Fire State Park, Nevada, and Lone Pine, California. The film’s climax was revised and reshot following poor reception from test audiences. The film uses a mix of traditional optical effects alongside computer-generated imagery, and was scored by regular Star Trek composer Dennis McCarthy.

Star Trek Generations was released in the United States on November 18, 1994. Paramount promoted the film with merchandising tie-ins, including toys, books, games, and a website—a first for a major motion picture. The film opened at the top of the United States box office its first week of release and grossed a total of $118 million worldwide. Critical reception was mixed, with critics divided on the film’s characters and comprehensibility to a casual viewer.

Star Trek VI The Undiscovered Country

Star Trek VI: The Undiscovered Country is a 1991 American science fiction film directed by Nicholas Meyer, who directed the second Star Trek film, The Wrath of Khan. It is the sixth feature film based on the 1966–1969 Star Trek television series. Taking place after the events of Star Trek V: The Final Frontier, it is the final film featuring the entire cast of the television series. The destruction of the Klingon moon Praxis leads the Klingon Empire to pursue peace with their longtime adversary, the Federation; the crew of the Federation starship USS Enterprise must race against unseen conspirators with a militaristic agenda.

After the critical and commercial disappointment of The Final Frontier, the next film was initially planned as a prequel, with younger actors portraying the crew of the Enterprise while attending Starfleet Academy. The idea was discarded because of negative reaction from the original cast and the fans. Faced with producing a new film in time for Star Trek’s 25th anniversary, director Nicholas Meyer and Denny Martin Flinn wrote a script based on a suggestion from Leonard Nimoy about what would happen if “the Wall came down in space”, touching on the contemporary events of the Cold War.

Principal photography took place between April and September 1991. Because of a lack of sound stage space on the Paramount lot, many scenes were filmed around Hollywood. Meyer and cinematographer Hiro Narita aimed for a darker and more dramatic mood, altering sets originally used for the television series Star Trek: The Next Generation. Producer Steven-Charles Jaffe led a second unit to an Alaskan glacier that stood in for a Klingon gulag. Cliff Eidelman produced the film’s score, which is intentionally darker than previous Star Trek offerings.

Star Trek VI: The Undiscovered Country was released in North America on December 6, 1991. It garnered positive reviews, with publications praising the lighthearted acting, setting and facetious references, and performed strongly at the box office. It posted the largest opening weekend gross of the series before going on to earn $96.8 million worldwide. The film earned two Oscar nominations, for Best Makeup and Best Sound Effects, and is the only Star Trek movie to win the Saturn Award for Best Science Fiction Film. The film has been released on various home media formats, including a special collectors’ edition in 2004, to which Meyer made minor alterations to the film.

Star Trek V The Final Frontier

Star Trek V: The Final Frontier is a 1989 American science fiction film directed by William Shatner and based on the television series Star Trek created by Gene Roddenberry. It is the fifth installment in the Star Trek film series, and takes place shortly after the events of Star Trek IV: The Voyage Home (1986). Its plot follows the crew of the USS Enterprise-A as they confront renegade Vulcan Sybok, who is searching for God at the center of the galaxy.

The film was directed by cast member William Shatner, following two films directed by his co-star Leonard Nimoy. Shatner developed the initial storyline, in which Sybok searches for God but instead finds a devil; his primary inspiration was the phenomenon of televangelism and the high potential for fraud among its practitioners. Many involved objected to the script and plot. Series creator Gene Roddenberry disliked the original script, while Nimoy and DeForest Kelley objected to the premise that their characters, Spock and Leonard McCoy, would betray Shatner’s James T. Kirk. The script went through multiple revisions to please the cast and Paramount Pictures, including cuts in the effects-laden climax of the film. Despite a Writers Guild strike cutting into the film’s pre-production, Paramount commenced filming in October 1988. Many Star Trek veterans assisted in the film’s production; art director Nilo Rodis developed the designs for many of the film’s locales, shots, and characters, while Herman Zimmerman served as its production designer. Production problems plagued the film on set and during location shooting in Yosemite National Park and the Mojave Desert. Because effects house Industrial Light & Magic’s best crews were busy and would be too expensive, the production used Bran Ferren’s company for the film’s effects, which had to be revised several times in order to lower production costs. The film’s ending was reworked because of poor test-audience reaction and the failure of some planned special effects. Jerry Goldsmith, composer for Star Trek: The Motion Picture, returned to score The Final Frontier.

The Final Frontier was released in North America on June 9, 1989. It had the highest opening gross of any Star Trek film at that point and was number one in its first week at the box office; however, its grosses quickly dropped in subsequent weeks. The film received generally mixed to negative reviews by critics on release, and, according to its producer, “nearly killed the franchise.” The next entry in the series, Star Trek VI: The Undiscovered Country (1991), received a much more positive reception.

Star Trek IV The Voyage Home

Star Trek IV: The Voyage Home is a 1986 American science fiction film directed by Leonard Nimoy and based on the television series Star Trek. It is the fourth feature installment in the Star Trek franchise, and is a sequel to Star Trek III: The Search for Spock (1984); it completes the story arc begun in Star Trek II: The Wrath of Khan (1982) and continued in The Search for Spock. Intent on returning home to Earth to face trial for their actions in the previous film, the former crew of the USS Enterprise finds the planet in grave danger from an alien probe attempting to contact now-extinct humpback whales. The crew travel to Earth’s past to find whales who can answer the probe’s call.

After directing The Search for Spock, Nimoy was asked to direct the next feature, and given greater freedom regarding the film’s content. Nimoy and producer Harve Bennett conceived a story with an environmental message and no clear-cut villain. Dissatisfied with the first screenplay produced by Steve Meerson and Peter Krikes, Paramount hired The Wrath of Khan writer and director Nicholas Meyer. Meyer and Bennett divided the story between them and wrote different parts of the script, requiring approval from Nimoy, lead actor William Shatner, and executives at Paramount Pictures. Principal photography commenced on February 24, 1986. Unlike previous Star Trek films, The Voyage Home was shot extensively on location; many real settings and buildings were used as stand-ins for scenes set around and in the city of San Francisco. Special effects firm Industrial Light & Magic assisted in post-production and the film’s special effects. Few of the humpback whales in the film were real: ILM devised full-size animatronics and small motorized models to stand in for the real creatures. The film was dedicated to the crew of the Space Shuttle Challenger, which broke up 73 seconds after takeoff on the morning of January 28, 1986.

The Voyage Home was released on November 26, 1986, in North America by Paramount Pictures, and became the top-grossing film at the weekend box office. The film’s humor, acting, direction, special effects and unconventional story were well received by critics, fans of the series, and the general audience. It was financially successful, earning $133 million worldwide, and earned several awards and four Oscar nominations for cinematography and sound.